Pablo Picasso on mastery through simplicity: It took me four years to paint like Raphael, but a lifetime to paint like a child.
Picasso, the father of modern art and one of the most influential artists of the 20th century, spent years perfecting the classical techniques of Renaissance masters like Raphael. However, his true genius lay in his ability to strip away complexity and create art that captured the essence of human experience with childlike simplicity.
Lesser artists of his time focused on realism, trying to capture every detail of a subject precisely. Not so Picasso. After mastering the fundamentals, Picasso began to innovate, thus helping launch Cubism. Once he’d broken free from the restraints of tradition, he continued to experiment, ignoring stylistic boundaries, until the last decade of his life.
For estate and financial planners, Picasso’s early career as an artist offers a critical lesson. Knowledge of laws, tax codes and the seemingly endless array of financial instruments is foundational to the job. Without a firm grasp of these basics, crafting a plan to fit a client’s circumstances is almost impossible, creating problems for planners and their clients.
Yet, the most successful planners are not those who overwhelm their clients with jargon or technical details. Instead, they distill complex concepts into accessible language, making it easier for clients to understand their financial situations and make informed decisions.
Picasso’s journey to simplicity also reminds us that once the fundamentals are mastered, professionals have the freedom to be creative and innovative. In estate planning, this might mean finding new ways to optimize a client’s estate, taking advantage of lesser-known tax strategies or crafting unique solutions tailored to individual circumstances.
There’s a tale about Picasso, possibly apocryphal but relevant to planners whose clients often quibble over the cost of their services. In some clients’ views, financial and estate plans seem to require nothing more creative than filling out a series of forms. Consider this:
Doodling one day in a café, Picasso was approached by an admirer who asked if he would do a quick sketch for her. He quickly dashed off a drawing on a napkin, handed it to the woman and asked for a million francs. Shocked, the woman protested that the sketch took only a few minutes to create. “No, madam,” Picasso replied. “It took me a lifetime to learn to draw like that.”