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Lending to MuseumsLending to Museums

Ten issues to discuss with your client before loaning artwork to institutions

Azmina Jasani, Partner, Art and Cultural Property Law Group

April 25, 2017

15 Min Read
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Public exhibitions thrive on the mutually beneficial relationship between private collectors and museums. For private collectors, lending artwork to museums confers numerous advantages. These include: sharing the viewing and appreciation of art with the general public who may otherwise not have access to it; promoting the study and scholarship of art; enhancing an artwork’s provenance and, in turn, increasing its monetary value; enjoying potential tax benefits; and saving costs on storing and conserving the art. Likewise, museums profit considerably from art loans by private collectors, which afford them the opportunity to exhibit works they may otherwise not have been able to acquire and thereby fulfill their mandate of increasing publi...

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About the Author

Azmina Jasani

Partner, Art and Cultural Property Law Group, Constantine Cannon

Azmina Jasani is a partner in Constantine Cannon's Art and Cultural Property Law Group, and concentrates her practice on all aspects of art law.  Azmina is dual qualified to practice law in New York and England & Wales. She has significant experience working with international collectors, large and small galleries, auction houses, professional advisers, dealers and financial institutions on contentious and non-contentious matters.

Azmina advises clients on the sale and purchase of important works of art bought and sold privately or at auction, on consigning works to auction houses and galleries, on using art as collateral for loans, on loaning artworks to museums or special exhibitions, on copyright and other intellectual property rights and on operating an e-commerce business, particularly online-only auctions. In addition to her transactional experience, Azmina has substantial litigation experience in the area of copyright infringement, authenticity, title disputes, consignment disputes, general contract and complex commercial disputes, including fraud, and World War II restitution.

Prior to joining Constantine Cannon, Azmina spent four years as an associate in the New York office of Withers Bergman LLP, where her primary focus was art litigation. She also spent two years as an associate in the New York Office of Schulte Roth & Zabel LLP, where she advocated on behalf of corporate and hedge fund clients on matters relating to securities fraud and contractual disputes.

Azmina received her J.D. from the University of California, Berkeley School of Law (Boalt Hall), and her B.A., summa cum laude, from Queens College, City University of New York.